QOTD: Highway to the Comfort Zone? | Color Swivel Luxury Staff Chair

Ergonomic, with a 94% ecological design, fully adjustable armrests, the pellicle (seat and the back) with eight different woven tensions that ensure comfortable use and a much-needed support, Aeron is a great choice for all those who are looking for an X factor.

“Over the years, we have tried to evolve the raffle and make it more exciting,” said Lynnie Meyer, senior vice president and chief development officer for Norton Healthcare. 

To prevent repetitive stress, having the correct ergonomic posture is important when seated for a longer time. Seat adjustability makes sure every type of user from different heights can adjust the chair to their unstressed posture.

The World Premiere of "what she found" At the 2018 FRIGID Festival February 15th thru March 4th what she found tells the story of Fiona, a twenty- something recovering from a depressive episode. In the midst of blurring the worlds between fictional and factual, she dares to explore a frightening world that tests her ability to work through dissociation unharmed. what she found pays homage to Lewis Carroll’s Through the Looking Glass while seeking to delve into the scathing reality and implications of Post-Traumatic Stress Disorder, dissociation, and living with the stigma of seeking psychiatric treatment. what she found will feature the talents of the local NYC indie theatre scene featuring Helena Farhi, Jacobella Luongo, and Brenden Gregory. The Creative Team includes Nj Aguwna, Ashleigh Herndon, Megan Bandelt, Akia, Conor Daniel Bartram and Gregory F. Jackson. Using devised and immersive story-telling origins, what she found promises to lead the audience on a journey that is sometimes uncomfortable, but ultimately illuminating, leading us into a deeper understanding of what it means to be human. Tickets are $15-$20 and available online at www.FRIGIDNEWYORK…. (read more)

Premier night of outrageous NY performance. Variety as it should be. **Ticket price includes Midnight Show!** Set times are 9:30pm, 10:30pm, 12am & 1am

The Slipper Room Show: Mr. Choade’s Upstairs Downstairs – The Slipper Room March 10, 2018 – New York City

It must have happened to you at least once. You have allocated some money to buy yourself something fancy, but you see a super cool thing that would appeal to someone you love. You rush to the store and buy that thing while sacrificing yourself for the sake of making someone else happy.

The Canadian Army does not have a digital fires solution, and “that is a critical part of the network that we are working on,” he said at the command headquarters in Grafenwoehr. Gifford said the service is learning from those with digital fires systems at the JWA.

The Coaster rocking chair has the two arc rockers, the four spindle legs attaching the chair to the rockers, the curved arms, and the all-wood design that represents the traditional look of a rocking chair. The Best Rocking Chairs review highlighted the ease with which you can clean this traditional design. The Coaster has no cushions on it, but you can easily add tie-on cushions to the seat and back for a bit of comfort.

Womaning is a talk show hosted by Lauren Adams and Caitlin Bitzegaio. It’s a talk show for women who Yelp "quiet wine bar where I won’t get hit on." It’s a talk show for women who are constantly asking themselves "What’s under Sia’s wig and should I be wearing one?" It’s a talk show for women who spend $300 on baby gifts for friends and then haggle the price of a can of beer. It’s a talk show for women who are Womaning or at least trying.

I’ve been driving EVs since 2013 and am sold on EVs, so I don’t have a problem waiting for things to improve. But the mass market car-buying public is going to be a tougher customer.

Join us during the opening week of the New Museum’s 2018 Triennial: "Songs for Sabotage" for a special artist panel with Triennial artists Cian Dayrit, Haroon Gunn-Salie, and Shen Xin, moderated by the exhibition’s curators. "Songs for Sabotage" adopts the notion of sabotage as a model for artistic production, positing that what unites these artists is an understanding of the inescapability of global political and economic networks and a desire to respond with individual, localized gestures.