From Tony and Pulitzer Prize-winning playwright Bruce Norris (Clybourne Park, The Pain and the Itch) comes an epic play, featuring sixteen actors in fifty roles, examining the basic beliefs upon which we’ve built our economy and our country. Set in the 18th century, this wild new work imagines America’s first laissez-faire capitalist, a young man inspired by a chance encounter with Adam Smith to put his faith in the free market. But his path to riches becomes inextricably entangled with that of an educated slave, a man who knows from experience that one person’s profit is another’s loss, in this parable about the true cost of inequality. Four-time Tony nominee and three-time Obie winner Michael Greif (Dear Evan Hansen, Next to Normal, Dogeaters) directs this richly imaginative, riotously funny new play about the imaginary lines between exploitation and opportunity.
The Jam: Only Child is a coming of age event where, after having sought out therapeutic counsel, Watts recognizes how being an only child and a latch-key kid in a single parent home influenced his interactions with the world into adulthood. Watts will be joined by DJ Duggz, aka Preston Dugger III (Motown the Musical, Memphis), spinning through the evening. A play-on-words, The Jam pays homage to Watts’ great-grandmother who, after making jam from scratch, would share with others what she was unable to consume herself. The Jam is Watts’s continuation of that legacy through riveting storytelling and captivating yet poignant spoken word often set to music and/or dance. "This Jam has a coming of age feel. It involves journeying through my past experiences that have shaped my perceptions and influenced my decision-making in order to really take stock of what I need to hold on to and what I can afford to let go." – Daniel J. Watts
I wonder what the vampire loss is for the Bolt EV? Hmmm? Somehow I doubt you want to talk about that.
About QYResearch QYResearch established in 2007, focus on custom research, management consulting, IPO consulting, industry chain research, data base and seminar services. The company owned a large basic data base (such as National Bureau of statistics database, Customs import and export database, Industry Association Database etc), expert’s resources (included energy automotive chemical medical ICT consumer goods etc.
Global Hydraulic Fluids Market Survey 2018 presented by MarketResearch.Biz integrates concise analysis and exhaustive presentation of logical data together. The industrial aspects are thoroughly characterizing on both global and regional scales. The Hydraulic Fluids market has surrounded a high-speed growth…
“Terrific, simple office chair for a great price. I love that it has no arms because I like to sit with my legs ‘folded like a pretzel,’ while I work, and arms just get in the way. It supports me well, and the rolling-feet function smoothly across my carpet protector.”
This program showcases two of the numerous short documentaries that Polish filmmaker Krzysztof Kie?lowski directed between 1966-80 – the first focuses on both workers and management at a tractor factory, the second on orthopaedic surgeons in Warsaw who struggle with dire working conditions – as well as the documentary/fiction hybrid film, CURRICULUM VITAE (1975). Purporting to document the Party Control Committee, an authoritative Party commission that monitored Party members and accepted or revoked their standing through informal trials, the film features the real committee, but the individual under investigation is in truth an actor with a fictional backstory (albeit one that closely parallels his character’s). FACTORY / FABRYKA (1970, 18 min, 35mm, b&w. In Polish with English subtitles.) HOSPITAL / SZPITAL (1977, 21 min, 35mm, b&w. In Polish with English subtitles.) & CURRICULUM VITAE / ZYCIORYS (1975, 45 min, 35mm, b&w. In Polish with English subtitles.) Total running time: ca. 90 min.
The Hills’ front door floods the living room with light, which warms the neutral colors which are accented with touches of gold.
The Wiggle Room! Named one of the "Best Burlesque Show in NYC" by Time Out New York! An elegant evening of booze, boobs, laffs, & boobs. Hosted by Bradford Scobie as Sir Richard Castle. Join naughty English gentleman Sir Richard Castle as he regales and revolts with tales of ex-wives, one night stands, and his one true love, scotch. Accompanied by his bountiful bevy of bawdy beauties, The Wigglettes! Bradford Scobie as Sir Richard Castle. Your outrageous host for the evening
Travelling PS4 gamers will be delighted to have a certified, premium-quality case for carrying their console. The case is not bulky. Quite the opposite, it is compact which further aids the transportation. In other words, this is a must have accessory for gamers who travel out of town for extended periods.
HOW THE WEST WAS WON In the hands of certain songwriters, a story of resurrection and redemption might ring a little hollow. Worse, it might sound like pseudo-messianic psychobabble. But when the songwriter is Peter Perrett, the usual rules have never applied. Perrett, whose incisive songcraft and sardonic drawl made him one of the most distinctive voices of the Seventies (and briefly, the Nineties), has indeed got a tale of resurrection and redemption to tell. And even if he’s telling it with copious doses of his trademark deadpan wit, the miracle is that he’s telling it at all. Perrett made his reputation in The Only Ones (1976–1981) by writing about – and living – a life of the utmost decadence without worrying too much about the consequences. "I always flirt with death," began his most famous song (‘Another Girl, Another Planet’), "I look ill but I don’t care about it." It was an exotic universe full of strange creatures, but an incredibly dangerous one to inhabit. Not once but twice, Perrett retreated into a hermetic haze and transmitted nothing but radio silence for ten years. The two decades of his life that were surrendered to drug addiction were his own business, of… (read more)
UCBT’s top improv teachers join forces in Teacher Feature, the improv show that features teachers for this weekly all-star improv explosion. Hosted by Lou Gonzalez, Doug Moe, Ben Rameaka and Molly Thomas.
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