Conflating narrative tropes and methods from television sitcoms, theater, science fiction, mythology, and anthropology, Mellors writes the scripts for each of his projects, which he also directs, edits, and produces. His raucous films feature a book-eating creature named "The Object" who literally digests a family’s library in Ourhouse (2010–ongoing); a Neanderthal in perpetual free-fall over the San Joaquin Valley in Neanderthal Container, (2014); and two messianic beings, in the form of a cardboard box and a giant egg, who attempt to make sense of a culture that they created millions of years prior in The Aalto Natives (2017, in collaboration with Erkka Nissinen, originally conceived for the Finnish Pavilion at the Venice Biennale). For his exhibition at the New Museum, Mellors will create a new environment including video projection and animatronic sculpture. "Nathaniel Mellors: Progressive Rocks" is curated by Margot Norton, Curator, and will be on view in the New Museum’s recently inaugurated South Galleries, a space designated for premiering new productions at the Museum. The South Galleries preserve the character of the building’s loft spaces, where many artists historicall… (read more)
Her new project for the New Museum takes the form of an ongoing action with live performers and one holographic performer. The project approaches the concept of presence in an expanded sense, focusing in particular on its increasing dispersion. In Pirici’s ongoing action—conceived especially for the New Museum’s South Galleries—presence is revealed in a variety of ways: as physical body as well as artificial stand-in, avatar, and ghost, taking on the character of a memorial or monument; as image and abstraction of the living subject into quantifiable, monetizable data; and as the expanded life of "dead" objects in museum collections—using the presence of live performers to challenge their stable state and static interpretation. This new work continues Pirici’s recent interrogations into the collective body through choreographies that link different temporal and spatial events in real time. In the work, performers embody amalgamated parts, intersecting with each other yet separately manipulable. Pirici’s project attempts to enact the dispersion of presence and to comment on contemporary processes of abstraction that separate sign from substance and image from material support. Prop… (read more)
It might be rude to talk about politics at the dinner table, but if you’re buzzed and in front of an audience, it’s all good. Join UCBT veterans Cody Lindquist & Charlie Todd as they welcome a panel of NYC’s most hilarious comedians, journalists, and politicians to chug two beers on stage and get political. Show up with your Trump-voter uncle and your first drink is free.
An awesome thing about this is that you can use the jet with a liner by inserting the liner first and then attaching the sanitized jet to its base through the liner plastic. Check out the video below to see what that looks like. The La Fleur 4 is stylish, sleek, and the height of pampering.
IN THE JUNGLE (2017, 63 min, digital. With Cricket Arrison (of Wham City) and M.C. Schmidt (of Matmos).) Stephanie Barber has achieved the rare feat of carving out a cinematic (or more properly speaking, media-spanning) realm entirely her own. Equally attuned to the nuances of the moving image and of language, her short and occasional feature-length film and video works meld together elements of photography, poetry, music, and live performance, and display a sensibility that’s at once comical, lyrical, and melancholy. Her latest piece, IN THE JUNGLE playfully and sorrowfully tells the tale of an unreliable narrator in a self-imposed exile. Given a grant to study the equivalent of animal cries and whines in jungle flora, our heroine has lived for 1,612 days deep in an unnamed jungle. This jungle serves as an extended metaphor for excessive and continual growth and death and fear and sustenance, a metaphorical space of chaos in which the scientist finds solace and which stands in contrast to the human jungle of ‘civilization.’ Is IN THE JUNGLE – which grew out of a live performance – a filmed document of a theater piece, a musical, a poetic lecture, or some combination of a… (read more)
Performance Model 3 competes with M3, AMG, RS4 and base Model E, not Accords and Camrys. It’s has two motors and is supposed to not over heat on a track. These are massive upgrades if true.
Working Across a Range of Media Including Video, Sound, Performance, Sculpture, Collage, and Installation, New York–Based Artist Sara Magenheimer (B. 1981, Philadelphia, Pa) Disrupts, Manipulates, and Defamiliarizes Language with Bold Combinations of Image and Text. Her Videos Incorporate Traditional Filmic Editing Techniques Alongside Those Inspired by Music and Collage. in Syncopated Progressions of Pictures and Words, Magenheimer Pushes Against the Bounds of Narrative, Charting Circuitous Storylines Through Vernacular Associations That Invite Individual Interpretations. Through Surprising Juxtapositions of Language, Graphic Compositions, and Idiosyncratic Imagery, She Reveals How Visual and Verbal Signs Mutate and Guide Manifold Pathways to Understanding. Magenheimer Will Present a New Video Installation in the Window of the New Museum’s 231 Bowery Building. This Project Is Part of a New Series of Window Installations, Which Relaunches the Program the New Museum Originally Mounted in the 1980s. in Conjunction with Her Window Installation, a Selection of Magenheimer’s Films Will Also Be on View as Part of the Museum’s Ongoing Screen Series. This Project Is Curated by Margot Nort… (read more)
Rycardo Moreno, a noted flamenco and jazz guitarist born in Lebrija into a Gypsy family, returns to New York with his recent show, A Galeano, a tribute to Uruguayan writer Eduardo Galeano from his book Libro de los Abrazos (The Book of Hugs). According to Moreno, the book "was impregnated with music and you just had to decipher it." Ten of Galeano’s stories are connected through music, evoking flamenco expressions of the people. Moreno’s career has included collaborations with Dorantes, Esperanza Fernández, Buika, and El Lebrijano. Accompaniment on vocals (Lela Soto), and guitar and palmas (Dani Bonilla).
This seems typical for something rushed to production, skipping a lot of internal testing, and using early adopters and employees to shake the bugs out.
The Slipper Room Show: Stache Novak’s Midnight Fingers – The Slipper Room March 08, 2018 – New York City
"My grandmother had a stable in Florida, and our family was always big into horses," Lauren Hill said. "Minnie Pearl is my baby."
Whether or not it makes more sense to buy fewer high-quality chairs or several cheaper chairs depends on how you want to run your business. If your operation focuses on quantity and moving clients in and out, then more chairs may be the smarter move.
34434 “MooreCo Ergo Ex Ergonomic Office Chair – Black Seat – 5-star Base – 21″” Seat Width x 18.50″” Seat Depth – 28″” Width x 24″” Depth x 51″” Height” for Federal Government – December 9 – December 31 2018 | Headrest Ergonomic Office Mesh Chair Related Video:
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